Saturday, 11 May 2024

𝐆𝐢𝐯𝐞 𝐘𝐨𝐮𝐫 𝐅𝐢𝐫𝐬𝐭 𝐒𝐚𝐥𝐚𝐫𝐲 𝐓𝐨 𝐘𝐨𝐮𝐫 𝐅𝐚𝐭𝐡𝐞𝐫 𝐅𝐨𝐫 𝐇𝐢𝐬 𝐁𝐥𝐞𝐬𝐬𝐢𝐧𝐠 𝐍𝐨𝐭 𝐘𝐨𝐮𝐫 𝐏𝐚𝐬𝐭𝐨𝐫, 𝐒𝐚𝐲𝐬 𝐊𝐚𝐧𝐚𝐲𝐨


GIVE YOUR FIRST SALARY TO YOUR DAD NOT PASTOR

Renowned Nollywood actor Kanayo O. Kanayo, who recently welcomed his son Clinton Mbaise into the world of filmmaking, decided to honour African traditions by accepting his first paycheck for his work on set and gave him fatherly blessings. 


Kanayo stated that observing this culture from the ancestors has led to the progress of many people in the country. 

Clinton was paid N50,000 after completing his first movie production with his father. 

In the video shared on Kanayo's Instagram account on Thursday, he requested N500 from the salary his son earned and then prayed for him to succeed in the industry.

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The Nollywood actor advised Nigerians to always give their first salary to their father for his blessings and not to their pastors. He emphasized that only a father can bless his child.

Kanayo said, "I want to observe a culture from our ancestors which has led to the progress of many people you see today, ''Father blessing.'

"Clinton my son just concluded a few production management with us and he has earned his first salary, his first salary is N50,000 for a movie.

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"Clinton from your pocket in the N50,000 give me N500. 

"The first salary of a young man, he goes to his father to say Nnayi my salary is N50,000, the father may decide to take the entire money, he may also decide to take any amount and his father will now bless him.

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"The idea of his father asking him to know the salary is, so his father would teach him financial management. 

"All you going to pastors to give your salary, you are wasting your time, is not part of our culture."

Credit: Instagram | Kanayo O. Kanayo
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Mr. Benjamin Zebaze: The Cameroonians And His Tricycle Prototype.


THE CAMEROONIAN AND HIS CREATION.

Mr. Benjamin Zebaze took 2 years to come up with this tricycle prototype. Upon completion, one of the prototypes were immidiately bought by the Kadji enterprise for test use in their factory.

According to Mr. Zebaze, if the test went well, Kadji would endorse his tricycles for the distribution of drinks over the national territory.


Mr Zebaze is working on establishing a market for his product in the CEMAC zone and Nigeria. 
When he presented this prototype,  he received a handful questions from Cameroonians... was his tricycle 100% made in Cameroon? Was he going to improve the aesthetics, how strong was his tricycle? What was the cost of his tricycle etc.

As to whether the tricycle was 100% made in Cameroon, he explained that all parts were conceived and designed by him, but for the engine, the shocks and the axils.

He also made it clear that when he started his production, the goal was not to get an aesthetically befitting cockpit, but to get an affordable product that would be able to meet the needs of Cameroonians. 


As concerns the price of the tricycle, he said it would be decided upon when he had completed studying the market for the product. He went further to say his tricycle was way stronger than those imported.

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Wednesday, 3 April 2024

BOB MARLEY ANTHEM OF LIBERATION AND HOPE 

REDEMPTION SONG: BOB MARLEY ANTHEM OF LIBERATION AND HOPE 

"Redemption Song," released in 1980 on Bob Marley and the Wailers' final studio album, Uprising, carries a poignant history. At its core, the song is a response to Marley's own struggles and the socio-political climate of Jamaica during the late 1970s. Marley, a staunch advocate for freedom and justice, was deeply affected by the oppression and poverty he witnessed around him. This song was his way of addressing the pain and offering a message of hope and empowerment.

The Acoustic Reverie

Unlike many of Marley's reggae hits, "Redemption Song" is a departure, featuring only Marley's soulful voice accompanied by an acoustic guitar. This simplicity enhances the song's raw emotion, allowing the listener to focus entirely on the powerful lyrics and the intensity.

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Disc jockey and record company owner Vivian Carter, born this day in 1921.


Some might be surprised to know that a woman who founded a small Midwestern record label was one of the first people to bring the music of The Beatles to American audiences. Vivian Carter was a deejay on radio stations in Chicago, Illinois and Gary, Indiana in the 1950s. She also co-owned a record shop with her husband, Jimmy Bracken.  

From the article:
"As a child and teenager, (Carter) was competitive, outgoing, and self-confident. These qualities helped her win a 1948 contest for the “best girl disc jockey in Chicago,” which was the beginning of Vivian’s radio career. Eventually, Vivian had a five-hour nightly radio program in Gary, called “Livin’ With Vivian,” referring to female listeners as “Powder Puffs” and male callers “Sponges.” The “hostest who brings you the mostest” played music by black artists and much of what she played was not available on commercial records. Since Vivian owned a record store in the heart of Gary, along with her future husband Jimmy Bracken, she knew that recordings of this music would sell.

Teenagers of all races from several Calumet Region schools would gather after school to watch Vivian through the glass store window while loudspeakers broadcast her favorite Rhythm and Blues recordings, as recalled by Jerry Locasto, a future radio executive who was one of those kids. While the records played, Vivian would come out and mingle with the kids to find out what they liked or disliked about each one. Kids could request songs, and she would play them."

In 1953 they borrowed $500 and founded their own record label, calling it Vee-Jay, taken from the first letters of their names. Throughout the decade they issued recordings from Blues, Doo-Wop and R&B artists like The Spaniels ("Goodnite Sweetheart Goodnite"), Jimmy Reed ("Big Boss Man" "Ain't That Lovin You Baby" "Baby What You Want Me To Do" and numerous other Blues classics), Gene Chandler (#1 Ho

The Origin of "No Woman, No Cry"

Released in 1974 as part of the album "Natty Dread," "No Woman, No Cry" was inspired by Marley's experiences growing up in the Trench Town neighborhood of Kingston, Jamaica. The song's title and refrain offer a message of hope and resilience, echoing the strength of the human spirit amidst adversity. Marley's childhood, marked by poverty and struggle, became the foundation upon which he built his musical legacy.

The Lyrics: A Message of Hope and Resilience

At its core, "No Woman, No Cry" is a comforting ballad, consoling those going through difficult times. The lyrics speak of the struggles faced by the impoverished, urging them to keep their heads up and not lose faith. The line "Everything's gonna be all right" serves as a powerful mantra, reminding listeners that even in the face of despair, there is hope for a better tomorrow.

The Music: Soulful Melodies That Touch the Heart

Accompanied by the soothing rhythm of reggae, Marley's voice in "No Woman, No Cry" exudes a sense of calm and reassurance. The blend of acoustic guitar, subtle percussion, and Marley's heartfelt vocals creates an atmosphere of solace, making the song a therapeutic experience for anyone who listens. The music not only entertains but also heals, making it a quintessential part of Marley's musical legacy.

Legacy and Impact

"No Woman, No Cry" has become more than just a song; it's a cultural phenomenon. Its lyrics have been quoted, its melodies sung, and its message embraced by people facing adversity across the globe. The song's enduring popularity is a testament to its universal themes of hope, love, and perseverance.

Decades after its release, "No Woman, No Cry" remains a staple in Marley's discography, performed at concerts and cherished by fans old and new. Its ability to touch the hearts of listeners from diverse backgrounds speaks volumes about the power of music to unite and inspire.

Conclusion

Bob Marley's "No Woman, No Cry" stands as a testame

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WHAT YOU NEED TO KNOW ABOUT JENTUPIEZ

WHO IS JENTUPIEZ? Jentupiez , Formally Adekunle S. R. Adako is a Nigerian secular/gospel, Pop and Rap (Afro-Hip-Pop) artiste. A Studio and ...

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